Chords: E {0 2 2 1 0 0}
Esus4 {0 2 2 2 0 0} or {0 0 2 2 0 0}
E7 {0 2 0 1 0 0}
A {5 7 7 6 5 5}
A7 {5 7 5 6 5 5}
C#m {4 4 6 6 5 4}
Cm {3 3 5 5 4 3}
Bm {2 2 4 4 3 2}
F# {2 4 4 3 2 2}
G# {4 6 6 5 4 4}
B {7 9 9 8 7 7}
B7 {2 2 1 2 0 2} - bass-E string can be unplayed
A: {0 0 2 2 2 0}
Asus4 {0 0 2 2 3 0}
A7: {0 0 2 0 2 0}
D {2 5 4 2 3 2} or {2 0 0 2 3 2}
B {x x 4 4 4 x}
Naming convention 1)bass runs are shown in square brackets [G# A A# B]
2)only a few bass strings to be played when ...............
a line of dots is used above chords, e.g. e e F# F# G# G#
3)only play strings 2, 3 & 4 (B, g & D) for ,,,,,
the end B: & A: chords with commas above: B: A:
Well your voice grips me tight like fingers
a B e [bass run: G# a A# B] B7
Takes hold of whatever's inside
MI LA DO#m FA#Though we try to harmonize with different singers
When we're out of tune at least we'll know we tried
LA SIBaby its a hopeless feeling
RELeaves Mister Logic reeling
I love you I know, but what does that mean
F# When the only place forward is where we've just been
LA LAIts time to think twice, its time to decide
MI SOL# LA SIb SI SI7Turn and keep walking or be my bride
Or be my bride, yeah,
MI MIsus4 MIOr be my bride
MI MI7 LA DO#m DO#m DOm SIm FA#Well Roy Orbison, he knows that I can't forget you
Well he told me last night at forty-five
MI MI7 LA DO#m DO#m DOm SIm FA#Hope this honesty doesn't honestly upset you
LA SI MI LA MI MI FA# SOL# LA
He said to lie is death to love - I know it's still alive, yeh
LA SIBaby when the mornings breakin'
So many actresses 've already started fakin'
LA MII love you I know, but its not such a big deal
DO#m FA#I'm gonna tape you this song on my reel to reel to reel
Its time to think twice, make up your mind
MI SOL# LA SIb SI SI7Take me to the altar or leave me behind
LA MI MIsus4 MIOr leave me behind, yeah, or leave me behind
Well my memories, they lie to me just because they want to
LA SI MI SI7Well like a runaway train, you know, I have no control
MI MI7 LA DO#m DO#m DOm/I'm gonna tell 'em where you live so that they can go and haunt you \Bm F#
LA SI MI (E7) LA MI MI FAg LA
And take back and take back all the parts of me you stole
But I no longer feel like crying,
REMy nervous system's dying
LA MII love you I know, but I'm anaesthetised
I was foolishly hopeful, now I've realised
a A7: (triplets)
It was time to think twice, you had to go
MI DO#mI hope that you blossom, I hope that you grow
a A7: (triplets)
Write me a postcard make it some little thing
If you get married, I'll carry the ring
LA SI7If you get married introduce me to him
LA LAsus4 LAIntroduce me to him
,,,,, e a: B: a: e
Introduce me to him
Chords: E {0 2 2 1 0 0}
Esus4 {0 2 2 2 0 0} or {0 0 2
..2 0 0}
E7 {0 2 0 1 0 0}
A {5 7 7 6 5 5}
A7 {5 7 5 6 5 5}
C#m {4 4 6 6 5 4}
Cm {3 3 5 5 4 3}
Bm {2 2 4 4 3 2}
F# {2 4 4 3 2 2}
G# {4 6 6 5 4 4}
B {7 9 9 8 7 7}
B7 {2 2 1 2 0 2} - bass-E
..string can be unplayed
A: {0 0 2 2 2 0}
Asus4 {0 0 2 2 3 0}
A7: {0 0 2 0 2 0}
D {2 5 4 2 3 2} or {2 0 0
..2 3 2}
B {x x 4 4 4 x}
Naming convention 1)bass runs are
..shown in square brackets [G# A
..A# B]
2)only a few
..bass strings to be played when
.................
a line of dots
..is used above chords, e.g. e e
..F# F# G# G#
3)only play
..strings 2, 3 & 4 (B, g & D) for
.. ,,,,,
the end B: &
..A: chords with commas above:
.. B: A:
MI LA
Well your voice grips me tight
..like fingers
a B e
..[bass run: G# a A# B] B7
Takes hold of whatever's inside
MI LAThough we try to harmonize with
DO#m FA#..different singers
When we're out of tune at least
..we'll know we tried
LA SI MILA SI
Baby its a hopeless feeling
RELeaves Mister Logic reeling
I love you I know, but what does
..that mean
DO#m
F# When the only place forward
..is where we've just been
LA LAIts time to think twice, its
..time to decide
MI SOL# LA SIb SI SI7Turn and keep walking or be my
..bride
LA LAsus4 LAOr be my bride, yeah,
Or be my bride
MI MI7 LAWell Roy Orbison, he knows that
DO#m DO#m DOm SIm FA#..I can't forget you
Well he told me last night at
MI SOL# LA SIb SI SI7..forty-five
MI MI7Hope this honesty doesn't
..honestly upset you
FA#
LA
He said to lie is death to love
SI MI..- I know it's still alive, yeh
LA SI
Baby when the mornings breakin'
RESo many actresses 've already
..started fakin'
LAI love you I know, but its not
..such a big deal
DO#mI'm gonna tape you this song
FA#..on my reel to reel to reel
Its time to think twice, make up
..your mind
Take me to the altar or leave
..me behind
Or leave me behind, yeah, or
MI MIsus4 MI..leave me behind
MI LAWell my memories, they lie to me
..just because they want to
SIm FA#LA
Well like a runaway train, you
..know, I have no control
MII'm gonna tell 'em where you
MI7 LA..live so that they can go and
..haunt you \Bm F#
And take back and take back all
SI MI (E7) LA MI..the parts of me you stole
MI FAg LA
But I no longer feel like
..crying,
My nervous system's dying
LA MII love you I know, but I'm
..anaesthetised
DO#m DOm FA#I was foolishly hopeful, now
..I've realised
a A7:
..(triplets)
It was time to think twice, you
..had to go
MI DO#mI hope that you blossom, I hope
..that you grow
a A7:
..(triplets)
Write me a postcard make it some
..little thing
MI DO#mIf you get married, I'll carry
..the ring
LA SI7If you get married introduce me
..to him
LA LAsus4 LAIntroduce me to him
,,,,,
.. e a: B: a: e
Introduce me to him
Accordi Testi WESLEY HARDING JOHN Roy Orbison Knows. Skitarrate per suonare la tua musica, studiare scale, posizioni per chitarra, cercare, gestire, richiedere e inviare accordi, testi e spartiti