-=> "ALL BLUES" INTRO (and Vamp between each 12-Bar "Verse")--
(G7)||-------------------------------||
||-------------------------------||
||o---0-----0-----0-----0-------o||
||o---0-----2-----3-----2-------o||
||-------------------------------||
||----3---3---3---3---3---3------||
1 & & 2 & &
-=>VERSE (12-Bar Blues)--
@ Measures 1-4::
SOL7 SOL13/ SOL9 SOL13/ 4x||-----------------.--------------------.--------||
||----3------------5------6=======------5--------||
||o---3h4p3h4p3h4--5------7=======------5-------o||
||o---3------------5------7=======------5-------o||
||-----------------------------------------------||
||----===trill===--------------------------------||
1 & & 2 & &
@ Measures 5-6::
DO13/ DO DO13/ DOM7 DO13/ DO DO13/ DO|---------------.-----------------.--|---------------.-----------------.--|
|---3======-----5-----6======-----8--|---6======-----5-----3======-----5--|
|---3======-----5-----7======-----9--|---7======-----5-----3======-----5--|
|---3======-----5-----7======-----9--|---7======-----5-----3======-----5--|
|------------------------------------|------------------------------------|
|------------------------------------|------------------------------------|
1 & & 2 & & 1 & & 2 & &
[variation for C measures: ||: --333- --555- --677- --555- :|| 2x
(i.e., same as G7 measure, without the major 3rd)]
[*sic: whole "C" chordal series better considered as Gm-type chords...]
@ Measures 7-8 (G7...): a` la measures 1-4, but only 2ce thru...
@ Measures 9-10::
RE7#9 MIb7#9 RE7#9|------------------------------------|------------------------------------|
|---------------------6============--|---7============-----6============--|
|---------------------5============--|---6============-----5============--|
|---------------------4============--|---5============-----4============--|
|---5=====------5============-----5--|---6============-----5============--|
|------------------------------------|------------------------------------|
1 & & 2 & & 1 & & 2 & &
@ Measures 11-12::
SOL7/ SOLM6/ SOL13 SOL7/ SOL7/|---1============-----3============--|---1============-----0============--||
|---1============-----3============--|---1============-----0============--||
|---0============-----2============--|---0============--------------------||
|------------------------------------|---------------------3============--||
|------------------------------------|------------------------------------||
|---3======-----3-----3======-----3--|---3======-----3-----3======-----3--||
1 & & 2 & & 1 & & 2 & &
[* or: 3-345-]
--SEQUENCE: Intro--||: Verse--Intro :||--Verse(fade out)--
-=>Miles' "head"-ish LEAD over the twelve-bar pretty easy to follow on
the guitar, especially if yu' start at the VIIth position, e.g.--
(G7)
||-----|--7============------|--7---8-7========----------------------|
||-----|---------------------|---------------------------------------|
||--/7-|------------------/7-|------------------------------- tcg ---|
||-----|---------------------|------------------------------- '94 ---|
||-----|---------------------|---------------------------------------|
||-----|---------------------|---------------------------------------|
& 1 & & 2 & & 1 & & 2
--but then, this is JAZZ, 'n'you're supPOSED to improvize yourself! . . .
(but a final note: if you're playin' as "slow & tasty" as Miles himself
does over some sections, Wes-style octaves are awfully nice. . . .)
-=> "ALL BLUES" INTRO (and
..Vamp between each 12-Bar
.."Verse")--
||-----------------------------
||-----------------------------
||o---0-----0-----0-----0------
||o---0-----2-----3-----2------
||-----------------------------
||----3---3---3---3---3---3----
...
-|--||
-|--||
-|-o||
-|-o||
-|--||
-|--||
1 & & 2 & &
-=>VERSE (12-Bar Blues)--
@ Measures 1-4::
SOL7 SOL13/ SOL9 SOL13/ 4x||-----------------.--------------
||----3------------5------6=======
||o---3h4p3h4p3h4--5------7=======
||o---3------------5------7=======
||--------------------------------
||----===trill===-----------------
...
-|------.--------||
-|------5--------||
-|------5-------o||
-|------5-------o||
-|---------------||
-|---------------||
1 & & 2
..& &
@ Measures 5-6::
DO13/ DO DO13/|---------------.----------------
|---3======-----5-----6======----
|---3======-----5-----7======----
|---3======-----5-----7======----
|--------------------------------
|--------------------------------
...
-|-.--|---------------.----
-|-8--|---6======-----5----
-|-9--|---7======-----5----
-|-9--|---7======-----5----
-|----|--------------------
-|----|--------------------
...
-|-------------.--|
-|-3======-----5--|
-|-3======-----5--|
-|-3======-----5--|
-|----------------|
-|----------------|
1 & & 2 &
..& 1 & & 2 &
.. &
[variation for C measures: ||: --333- --555- --677- --555- :|| 2x
(i.e., same as G7 measure,
..without the major 3rd)]
[*sic: whole "C" chordal
..series better considered as
..Gm-type chords...]
@ Measures 7-8 (G7...): a` la
..measures 1-4, but only 2ce
..thru...
@ Measures 9-10::
RE7#9 MIb7#9 RE7#9|--------------
|--------------
|--------------
|--------------
|---5=====-----
|--------------
...
-|----------------------|--
-|-------6============--|--
-|-------5============--|--
-|-------4============--|--
-|-5============-----5--|--
-|----------------------|--
...
-|--------------------------------
-|-7============-----6============
-|-6============-----5============
-|-5============-----4============
-|-6============-----5============
-|--------------------------------
...
-|--|
-|--|
-|--|
-|--|
-|--|
-|--|
1 & & 2 &
..& 1 & & 2 &
.. &
@ Measures 11-12::
|---1============----
|---1============----
|---0============----
|--------------------
|--------------------
|---3======-----3----
...
-|-3============--|--
-|-3============--|--
-|-2============--|--
-|----------------|--
-|----------------|--
-|-3======-----3--|--
...
-|-1============-----0============
-|-1============-----0============
-|-0============------------------
-|-------------------3============
-|--------------------------------
-|-3======-----3-----3======-----3
...
-|--||
-|--||
-|--||
-|--||
-|--||
-|--||
1 & & 2 &
..& 1 & & 2 &
.. &
[* or: 3-345-]
--SEQUENCE: Intro--||: Verse--Intro :||--Verse(fade out)--
-=>Miles' "head"-ish LEAD over
..the twelve-bar pretty easy to
..follow on
the guitar, especially if yu'
..start at the VIIth position,
..e.g.--
(G7)
||-----|--7============------|--7-
||-----|---------------------|----
||--/7-|------------------/7-|----
||-----|---------------------|----
||-----|---------------------|----
||-----|---------------------|----
...
-|--8-7========-------------------
-|--------------------------------
-|--------------------------- tcg
-|--------------------------- '94
-|--------------------------------
-|--------------------------------
...
-|---|
-|---|
-|---|
-|---|
-|---|
-|---|
& 1 & & 2 &
..& 1 & & 2
--but then, this is JAZZ,
..'n'you're supPOSED to improvize
..yourself! . . .
(but a final note: if you're
..playin' as "slow & tasty" as
..Miles himself
does over some sections,
..Wes-style octaves are awfully
..nice. . . .)
Tablature chitarra di DAVIS MILES All Blues Skitarrate per suonare la tua musica, studiare scale, posizioni per chitarra, cercare, gestire, richiedere e inviare accordi, testi e spartiti