Line numbers at far left; string tuning shown for all strings
h = harmonic s = stringslap (generic punishment, no precision
H = hammer-on S = bodysmack /necessary:just get that bass])
p = pulloff to --14--14--14-->--15--15--15-------12h--12-->--
C---12h-------------------7h----------------------12h---------
0G---12h-------------------7h----------------------12h---------
1D---12h-------------------7h----------------------12h---------
A---12h-------------------7h------------------s0--------------
D----0--------------------0-------------------s0--------------
E-(>)-14--14--14--14--14--p--10--12--12--p--10--p--8--p--7----
C-------------7h----------------------------------------------
0G-------------7h----------------------------------------------
2D-------------7h----------------------------------------------
A-------------7h----------------------------------------------
D-------------0-----------------------------------------------
E--8--p--7--p--0--H2->-3--p--2--2--H3--p--2--p--0-------------
C--------------0----------------3h-----------------H2->-3--14--
C--p--0------------------------------------------4h-----------
0G--------H2->-4--4--4---4h-----------
D------------------------------------------------0------------
E-p-7-H9--9--p-7-p-5--14-14--p-12-H14->-15--15----------------
C---------7h-------------12h----------------7h----------------
0G---------7h-------------12h----------------7h---*breath]*----
5D---------7h-------------12h----------------7h----------------
A---------7h-------------12h----------------7h----------------
D-------------------------0-----------------------------------
E------12h---------------7h-------------------------5h--------
C------12h---------------7h-------------------------5h--------
0G------12h---------------7h-------------------------5h--------
6D------12h-loH10---p-12h--0--0--5--5--5------
D-(p)0---0---:----------------lo3->-p-12h--0--0--5--5--5------
roughly repeat the above (more or less) about three times, after which:
E---------------------3---------------------------------------
C---------------------3---again, several strums upon this-----
0G---------------------3---chord, as what whim moves you,------
8D-lo3--3--3->-10-p-0--1---and then a repeat of line 06, only--
A-lo3--3--3->-10-p-0--1---with an extra 12h arpeggio before --
D-lo3--3--3->-10-p-0--1---the 7h and 5h ones. Listen....------
...and after THAT....about three more times of line 07, then
another of line eight, at which point it takes off from the
E--3-.--5--.--7--.--8--.--7--.--5--.--7--.--8--.--8--The dots-
C--3-.--5--.--7--.--8--.--7--.--5--.--7--.--8--.--8--are for--
0G--3-.--5--.--7--.--8--.--7--.--5--.--7--.--8--.--8--missing--
9D--1-.--3--.--5--.--6--.--5--.--3--.--5--.--6--.--8--strums.--
A--1-.--3--.--5--.--6--.--5--.--3--.--5--.--6--.--8--Ympro=---
D--1-.--3--.--5--.--6--.--5--.--3--.--5--.--6--.--8--vyze]]---
After all this, one starts the mad bury-steel-splinters-in-yo-
thumb slide parts, thusly:
E-----------0---------0---------0--------3-----5--------------
C-----------0---------0---------0--------3-----5--------------
1G-----------0---------0---------0--------3-----5--------------
0D--lo3-->--10--3-->--10--3-->--10--p--0--1-->--3--------------
A--lo3-->--10--3-->--10--3-->--10--p--0--1-->--3--------------
D--lo3-->--10--3-->--10--3-->--10--p--0--1-->--3--------------
This also repeats about three times, then follows another line 09,
then another set of these, and then...oh, eventually a crash'n'burn
variation on line 06 with lots of offkey harmonics, screeching to a
halt with a ferocious hammer-on over the neck with the left hand
on a 333000 chord, after which collapse from oxygen depletion is in
order, and makes a touching finale.
So...let's see where I can further confuse the issue....
Line 03: the 3h is an octave up from the 7h and sounds wonderful,
if it can be coaxed into being. All those initial harmonic chords
are nice slightly arpeggiated, although just a fist-impact (*POW]*)
will do as well.
Line 05: the X7h7h7h7h15 is indeed a bit of a stretch, so I
often use the other harmonic node (don't ask at which fret, my
hyperoctaves aren't too great) which involves a flamenco-style
right-handed strum with the heel of the thumb brushing the
strings at the requisite fret to get the harmonic. It's about
fret 18 or 20 or something; two before the hole on my machine.
Line 06: the harmonics can also be arpeggiated; he does them
both ways, since that line more or less crops up more than once.
Line 07: He accompanies the slap against the body with a
short strum, or something. It comes out slightly different when
I play it; too much intuition fluxing it up, I guess. He frets the
slide from lo3 to pulloff to the 12h (or whatever sounds good; I
do it a bit differently, and this may not be exact...prob'ly ain't)
with his left index finger over the neck, then hits the 555555
from under the neck as a regular chord.
Line 08: The lo3's (and following slides later on) are fretted
over the neck with the left thumb. Most of the overneck hammer-ons
are pinch-hit with the left index and thumb.
Line 10: All the 333000's preceeding a slide to 10's are fretted
over the neck with the left thumb. Get ready for the smoke to fly;
I still can't play this fast enough.
Line numbers at far left; string
..tuning shown for all strings
h = harmonic s = stringslap
..(generic punishment, no
..precision
H = hammer-on S = bodysmack
.. /necessary:just get that
..bass])
p = pulloff to --14--14--14-
C---12h-------------------7h-----
0G---12h-------------------7h----
1D---12h-------------------7h----
A---12h-------------------7h-----
D----0--------------------0------
...
-|->--15--15--15-------12h--12
-|-----------------12h--------
-|------------------12h-------
-|------------------12h-------
-|-------------s0-------------
-|-------------s0-------------
...
-|-->--
-|-
-|--
-|--
-|-
-|-
E-(>)-14--14--14--14--14--p--10-
C-------------7h----------------
0G-------------7h---------------
2D-------------7h---------------
A-------------7h----------------
D-------------0-----------------
...
-|-12--12--p--10--p--8--p--7----
-|------------------------------
-|-------------------------------
-|-------------------------------
-|------------------------------
-|------------------------------
E--8--p--7--p--0--H2->-3--p--2--2--H3--p--2--p--0-------------
C--------------0----------------3h-----------------H2->-3--14--
C--p--0------------------------------------------4h-----------
0G--------H2->-4--4--4---4h-----------
D------------------------------------------------0------------
E-p-7-H9--9--p-7-p-5--14-14--p-12
C---------7h-------------12h-----
0G---------7h-------------12h----
5D---------7h-------------12h----
A---------7h-------------12h-----
D-------------------------0------
...
-|-H14->-15--15----------------
-|-----------7h----------------
-|------------7h---*breath]*----
-|------------7h----------------
-|-----------7h----------------
-|-----------------------------
E------12h---------------7h-------------------------5h--------
C------12h---------------7h-------------------------5h--------
0G------12h---------------7h-------------------------5h--------
6D------12h-loH10---p-12h--0--0--5--5--5------
D-(p)0---0---:----------------lo3->-p-12h--0--0--5--5--5------
roughly repeat the above (more or
..less) about three times, after
..which:
E---------------------3--
C---------------------3--
0G---------------------3-
8D-lo3--3--3->-10-p-0--1-
A-lo3--3--3->-10-p-0--1--
D-lo3--3--3->-10-p-0--1--
...
-|-------------------------------------
-|-again, several strums upon this-----
-|--chord, as what whim moves you,------
-|--and then a repeat of line 06, only--
-|-with an extra 12h arpeggio before --
-|-the 7h and 5h ones. Listen....------
...and after THAT....about three
..more times of line 07, then
another of line eight, at which
..point it takes off from the
E--3-.--5--.--7--.--8--.--7--.--5-
C--3-.--5--.--7--.--8--.--7--.--5-
0G--3-.--5--.--7--.--8--.--7--.--5
9D--1-.--3--.--5--.--6--.--5--.--3
A--1-.--3--.--5--.--6--.--5--.--3-
D--1-.--3--.--5--.--6--.--5--.--3-
...
-|-.--7--.--8--.--8--The dots-
-|-.--7--.--8--.--8--are for--
-|--.--7--.--8--.--8--missing--
-|--.--5--.--6--.--8--strums.--
-|-.--5--.--6--.--8--Ympro=---
-|-.--5--.--6--.--8--vyze]]---
After all this, one starts the mad
..bury-steel-splinters-in-yo-
thumb slide parts, thusly:
E-----------0---------0---------0-
C-----------0---------0---------0-
1G-----------0---------0---------0
0D--lo3-->--10--3-->--10--3-->--10
A--lo3-->--10--3-->--10--3-->--10-
D--lo3-->--10--3-->--10--3-->--10-
...
-|-------3-----5--------------
-|-------3-----5--------------
-|--------3-----5--------------
-|--p--0--1-->--3--------------
-|-p--0--1-->--3--------------
-|-p--0--1-->--3--------------
This also repeats about three
..times, then follows another line
..09,
then another set of these, and
..then...oh, eventually a
..crash'n'burn
variation on line 06 with lots of
..offkey harmonics, screeching to
..a
halt with a ferocious hammer-on
..over the neck with the left hand
on a 333000 chord, after which
..collapse from oxygen depletion
..is in
order, and makes a touching
..finale.
So...let's see where I can
.. further confuse the issue....
Line 03: the 3h is an octave up
..from the 7h and sounds
..wonderful,
if it can be coaxed into being.
..All those initial harmonic
..chords
are nice slightly arpeggiated,
..although just a fist-impact
..(*POW]*)
will do as well.
Line 05: the X7h7h7h7h15 is
..indeed a bit of a stretch, so I
often use the other harmonic node
..(don't ask at which fret, my
hyperoctaves aren't too great)
..which involves a flamenco-style
right-handed strum with the heel
..of the thumb brushing the
strings at the requisite fret to
..get the harmonic. It's about
fret 18 or 20 or something; two
..before the hole on my machine.
Line 06: the harmonics can
..also be arpeggiated; he does
..them
both ways, since that line more or
..less crops up more than once.
Line 07: He accompanies the
..slap against the body with a
short strum, or something. It
..comes out slightly different
..when
I play it; too much intuition
..fluxing it up, I guess. He frets
..the
slide from lo3 to pulloff to the
..12h (or whatever sounds good; I
do it a bit differently, and this
..may not be exact...prob'ly
..ain't)
with his left index finger over
..the neck, then hits the 555555
from under the neck as a regular
..chord.
Line 08: The lo3's (and
..following slides later on) are
..fretted
over the neck with the left thumb.
..Most of the overneck hammer-ons
are pinch-hit with the left index
..and thumb.
Line 10: All the 333000's
..preceeding a slide to 10's are
..fretted
over the neck with the left thumb.
..Get ready for the smoke to fly;
I still can't play this fast
..enough.
Tablature chitarra di HEDGES MICHAEL Silent Anticipations Skitarrate per suonare la tua musica, studiare scale, posizioni per chitarra, cercare, gestire, richiedere e inviare accordi, testi e spartiti