Line numbers at far left; string tuning shown for all strings
h = harmonic s = stringslap (generic punishment, no precision
H = hammer-on S = bodysmack /necessary:just get that bass])
p = pulloff to = upslide
r = righthand Tuning from standard: tune the low E down two
l = lefthand frets to a D and the B string up one fret to
ro= rightover a C. That's all:)
lo= leftover
) I N T R O (
E---12h----12-->--14--14--14-->--15--15--15-------12h--12-->--|
C---12h-------------------7h----------------------12h---------|
0G---12h-------------------7h----------------------12h---------|
1D---12h-------------------7h----------------------12h---------|
A---12h-------------------7h------------------s0--------------|
D----0--------------------0-------------------s0--------------|
E-(>)-14--14--14--14--14--p--10--12--12--p--10--p--8--p--7----|
C-------------7h----------------------------------------------|
0G-------------7h----------------------------------------------|
2D-------------7h----------------------------------------------|
A-------------7h----------------------------------------------|
D-------------0-----------------------------------------------|
E--8--p--7--p--0--H2->-3--p--2--2--H3--p--2--p--0-------------|
C--------------0----------------3h-----------------H2->-3--14--|
C--p--0------------------------------------------4h-----------|
0G--------H2->-4--4--4---4h-----------|
D------------------------------------------------0------------|
E-p-7-H9--9--p-7-p-5--14-14--p-12-H14->-15--15----------------|
C---------7h-------------12h----------------7h----------------|
0G---------7h-------------12h----------------7h---*breath]*----|
5D---------7h-------------12h----------------7h----------------|
A---------7h-------------12h----------------7h----------------|
D-------------------------0-----------------------------------|
E------12h---------------7h-------------------------5h---------|
C------12h---------------7h-------------------------5h---------|
0G------12h---------------7h-------------------------5h---------|
6D------12h-loH10---p-12h--0--0--5--5--5------|
D-(p)0---0---:----------------lo3->-p-12h--0--0--5--5--5------|
roughly repeat the above (more or less) about three times, after which:
E---------------------3---------------------------------------|
C---------------------3---again, several strums upon this-----|
0G---------------------3---chord, as what whim moves you,------|
8D-lo3--3--3->-10-p-0--1---and then a repeat of line 06, only--|
A-lo3--3--3->-10-p-0--1---with an extra 12h arpeggio before --|
D-lo3--3--3->-10-p-0--1---the 7h and 5h ones. Listen....------|
...and after THAT....about three more times of line 07, then
another of line eight, at which point it takes off from the:
E--3-.--5--.--7--.--8--.--7--.--5--.--7--.--8--.--8--The dots-|
C--3-.--5--.--7--.--8--.--7--.--5--.--7--.--8--.--8--are for--|
0G--3-.--5--.--7--.--8--.--7--.--5--.--7--.--8--.--8--missing--|
9D--1-.--3--.--5--.--6--.--5--.--3--.--5--.--6--.--8--strums.--|
A--1-.--3--.--5--.--6--.--5--.--3--.--5--.--6--.--8--Ympro=---|
D--1-.--3--.--5--.--6--.--5--.--3--.--5--.--6--.--8--vyze]]---|
After all this, one starts the mad bury-steel-splinters-in-yo-
thumb slide parts, thusly:
E-----------0---------0---------0--------3-----5--------------|
C-----------0---------0---------0--------3-----5--------------|
1G-----------0---------0---------0--------3-----5--------------|
0D--lo3-->--10--3-->--10--3-->--10--p--0--1-->--3--------------|
A--lo3-->--10--3-->--10--3-->--10--p--0--1-->--3--------------|
D--lo3-->--10--3-->--10--3-->--10--p--0--1-->--3--------------|
This also repeats about three times, then follows another line 09,
then another set of these, and then...oh, eventually a crash'n'burn
variation on line 06 with lots of offkey harmonics, screeching to a
halt with a ferocious hammer-on over the neck with the left hand
on a 333000 chord, after which collapse from oxygen depletion is in
order, and makes a touching finale.
So...let's see where I can further confuse the issue....
Line 03: the 3h is an octave up from the 7h and sounds wonderful,
if it can be coaxed into being. All those initial harmonic chords
are nice slightly arpeggiated, although just a fist-impact (*POW]*)
will do as well.
Line 05: the X7h7h7h7h15 is indeed a bit of a stretch, so I
often use the other harmonic node (don't ask at which fret, my
hyperoctaves aren't too great) which involves a flamenco-style
right-handed strum with the heel of the thumb brushing the
strings at the requisite fret to get the harmonic. It's about
fret 18 or 20 or something; two before the hole on my machine.
Line 06: the harmonics can also be arpeggiated; he does them
both ways, since that line more or less crops up more than once.
Line 07: He accompanies the slap against the body with a
short strum, or something. It comes out slightly different when
I play it; too much intuition fluxing it up, I guess. He frets the
slide from lo3 to pulloff to the 12h (or whatever sounds good; I
do it a bit differently, and this may not be exact...prob'ly ain't)
with his left index finger over the neck, then hits the 555555
from under the neck as a regular chord.
Line 08: The lo3's (and following slides later on) are fretted
over the neck with the left thumb. Most of the overneck hammer-ons
are pinch-hit with the left index and thumb.
Line 10: All the 333000's preceeding a slide to 10's are fretted
over the neck with the left thumb. Get ready for the smoke to fly;
I still can't play this fast enough. I think he must oil his strings:)
Line numbers at far left; string
..tuning shown for all strings
h = harmonic s = stringslap
..(generic punishment, no
..precision
H = hammer-on S = bodysmack
.. /necessary:just get that
..bass])
p = pulloff to = upslide
r = righthand Tuning from
..standard: tune the low E down
..two
l = lefthand frets to a D
..and the B string up one fret to
ro= rightover a C. That's
..all:)
lo= leftover
) I N T R O
..(
E---12h----12-->--14--14--14-->-
C---12h-------------------7h----
0G---12h-------------------7h---
1D---12h-------------------7h---
A---12h-------------------7h----
D----0--------------------0-----
...
-|-15--15--15-------12h--12-->--|
-|------------------12h---------|
-|-------------------12h---------|
-|-------------------12h---------|
-|--------------s0--------------|
-|--------------s0--------------|
E-(>)-14--14--14--14--14--p--10-
C-------------7h----------------
0G-------------7h---------------
2D-------------7h---------------
A-------------7h----------------
D-------------0-----------------
...
-|-12--12--p--10--p--8--p--7----|
-|------------------------------|
-|-------------------------------|
-|-------------------------------|
-|------------------------------|
-|------------------------------|
E--8--p--7--p--0--H2->-3--p--2--2--H3--p--2--p--0-------------|
C--------------0----------------3h-----------------H2->-3--14--|
C--p--0------------------------------------------4h-----------|
0G--------H2->-4--4--4---4h-----------|
D------------------------------------------------0------------|
E-p-7-H9--9--p-7-p-5--14-14--p-12
C---------7h-------------12h-----
0G---------7h-------------12h----
5D---------7h-------------12h----
A---------7h-------------12h-----
D-------------------------0------
...
-|-H14->-15--15----------------|
-|-----------7h----------------|
-|------------7h---*breath]*----|
-|------------7h----------------|
-|-----------7h----------------|
-|-----------------------------|
E------12h---------------7h-------------------------5h---------|
C------12h---------------7h-------------------------5h---------|
0G------12h---------------7h-------------------------5h---------|
6D------12h-loH10---p-12h--0--0--5--5--5------|
D-(p)0---0---:----------------lo3->-p-12h--0--0--5--5--5------|
roughly repeat the above (more or
..less) about three times, after
..which:
E---------------------3--
C---------------------3--
0G---------------------3-
8D-lo3--3--3->-10-p-0--1-
A-lo3--3--3->-10-p-0--1--
D-lo3--3--3->-10-p-0--1--
...
-|-------------------------------------|
-|-again, several strums upon this-----|
-|--chord, as what whim moves you,------|
-|--and then a repeat of line 06, only--|
-|-with an extra 12h arpeggio before --|
-|-the 7h and 5h ones. Listen....------|
...and after THAT....about three
..more times of line 07, then
another of line eight, at which
..point it takes off from the:
E--3-.--5--.--7--.--8--.--7--.--5-
C--3-.--5--.--7--.--8--.--7--.--5-
0G--3-.--5--.--7--.--8--.--7--.--5
9D--1-.--3--.--5--.--6--.--5--.--3
A--1-.--3--.--5--.--6--.--5--.--3-
D--1-.--3--.--5--.--6--.--5--.--3-
...
-|-.--7--.--8--.--8--The dots-|
-|-.--7--.--8--.--8--are for--|
-|--.--7--.--8--.--8--missing--|
-|--.--5--.--6--.--8--strums.--|
-|-.--5--.--6--.--8--Ympro=---|
-|-.--5--.--6--.--8--vyze]]---|
After all this, one starts the mad
..bury-steel-splinters-in-yo-
thumb slide parts, thusly:
E-----------0---------0---------0-
C-----------0---------0---------0-
1G-----------0---------0---------0
0D--lo3-->--10--3-->--10--3-->--10
A--lo3-->--10--3-->--10--3-->--10-
D--lo3-->--10--3-->--10--3-->--10-
...
-|-------3-----5--------------|
-|-------3-----5--------------|
-|--------3-----5--------------|
-|--p--0--1-->--3--------------|
-|-p--0--1-->--3--------------|
-|-p--0--1-->--3--------------|
This also repeats about three
..times, then follows another line
..09,
then another set of these, and
..then...oh, eventually a
..crash'n'burn
variation on line 06 with lots of
..offkey harmonics, screeching to
..a
halt with a ferocious hammer-on
..over the neck with the left hand
on a 333000 chord, after which
..collapse from oxygen depletion
..is in
order, and makes a touching
..finale.
So...let's see where I can
.. further confuse the issue....
Line 03: the 3h is an octave up
..from the 7h and sounds
..wonderful,
if it can be coaxed into being.
..All those initial harmonic
..chords
are nice slightly arpeggiated,
..although just a fist-impact
..(*POW]*)
will do as well.
Line 05: the X7h7h7h7h15 is
..indeed a bit of a stretch, so I
often use the other harmonic node
..(don't ask at which fret, my
hyperoctaves aren't too great)
..which involves a flamenco-style
right-handed strum with the heel
..of the thumb brushing the
strings at the requisite fret to
..get the harmonic. It's about
fret 18 or 20 or something; two
..before the hole on my machine.
Line 06: the harmonics can
..also be arpeggiated; he does
..them
both ways, since that line more or
..less crops up more than once.
Line 07: He accompanies the
..slap against the body with a
short strum, or something. It
..comes out slightly different
..when
I play it; too much intuition
..fluxing it up, I guess. He frets
..the
slide from lo3 to pulloff to the
..12h (or whatever sounds good; I
do it a bit differently, and this
..may not be exact...prob'ly
..ain't)
with his left index finger over
..the neck, then hits the 555555
from under the neck as a regular
..chord.
Line 08: The lo3's (and
..following slides later on) are
..fretted
over the neck with the left thumb.
..Most of the overneck hammer-ons
are pinch-hit with the left index
..and thumb.
Line 10: All the 333000's
..preceeding a slide to 10's are
..fretted
over the neck with the left thumb.
..Get ready for the smoke to fly;
I still can't play this fast
..enough. I think he must oil his
..strings:)
Tablature chitarra di HEDGES MICHAEL Silent Anticipations (2) Skitarrate per suonare la tua musica, studiare scale, posizioni per chitarra, cercare, gestire, richiedere e inviare accordi, testi e spartiti