scroll
h = hammer-on
p = pull-off
Once you play this, you might ask "Why not go for the open string instead of the
fifth fret?" Because it doesn't sound open to me--each note in this song is very
clipped and sharp; there's no resonance of open strings. I think the bassist here
is fretting most of the notes. And for economy's sake, it's often easier to fret
the fifth fret on the string next to the one you're playing than it is to skip
over and hit an open one two strings away. But hey, play it however you like!
Opening riff:
G ---------3----------------------------------------3---------------|
D --5--3-5---5-3-5---5-3---------------3-------3-5----5-------------|
A -----------------------3-5----5--3-5---5-3-5----------------------|
E ------------------------------------------------------------------|
Standard riff from that point on (0:09):
"Yeah...."
G --------------h3---------------------------------------------------|
D -0h3-5--3h5--5--5--0h3h5----------5h7----------h3-----------3-4-5--|
A -------------------------3-4-5--------5--3h5--5--5--0h3h5----------|
E -------------------------------------------------------------------|
There are variations on this throughout, which I will not go into because they're
all pretty small, but this is the core. You'll hear various one-note differences
on the beginning of the second half; for instance, I don't think he plays that 5h7
on the D ever again--it's -7-7- or -0h3h5- on the A etc. But you can use the core
of this for the whole song and vary it to taste with a minor pentatonic scale.
When the guitar plays in harmony at 0:46, play the simpler opening riff.
- (0 55)
"Looking for some happiness but there is only loneliness to find..."
G --------------------------------------------------------------------|
D -0-2-4-5-----4h5-----4-5-----5------------4-7-----------------------|
A ---------4h5-----4h5-----4h5---0h2-3-4-5----------------------------|
E --------------------------------------------------------------------|
(1 00)"Jump to the left, turn to the right..."
v--This slide's so subtle, you can
skip it
G -------------------------------------------4/3\4-----h4-------------|
D -0-0-4-7--0--4-7---4-7--------5-----5--0-2--------2-2---------------|
A -----------------------5-4-3----0-3---------------------------------|
E --------------------------------------------------------------------|
(1 09)G ------5--------------------------------------------------------------|
D --2-3---3------------------------------------------------------------|
A ------------3-4-5-5-5--5-5--5-5-5-/----------------------------------|
E ---------------------------------------------------------------------|
During the guitar solo at 1:14, repeat, it and then play it again when the vocals
return. Again, there are variations, but you can use the above as a roadmap.
h = hammer-on
p = pull-off
Once you play this, you might ask
.."Why not go for the open string
..instead of the
fifth fret?" Because it doesn't
..sound open to me--each note in
..this song is very
clipped and sharp; there's no
..resonance of open strings. I
..think the bassist here
is fretting most of the notes. And
..for economy's sake, it's often
..easier to fret
the fifth fret on the string next
..to the one you're playing than
..it is to skip
over and hit an open one two
..strings away. But hey, play it
..however you like!
Opening riff:
G ---------3----------------------
D --5--3-5---5-3-5---5-3----------
A -----------------------3-5----5-
E --------------------------------
...
-|------------------3-------------
-|-----3-------3-5----5-----------
-|-3-5---5-3-5--------------------
-|--------------------------------
...
-|--|
-|--|
-|--|
-|--|
Standard riff from that point on
..(0:09):
.."Yeah...."
G --------------h3----------------
D -0h3-5--3h5--5--5--0h3h5--------
A -------------------------3-4-5--
E --------------------------------
...
-|-------------------------------
-|--5h7----------h3-----------3-4
-|------5--3h5--5--5--0h3h5------
-|-------------------------------
...
-|----|
-|-5--|
-|----|
-|----|
There are variations on this
..throughout, which I will not go
..into because they're
all pretty small, but this is the
..core. You'll hear various
..one-note differences
on the beginning of the second
..half; for instance, I don't
..think he plays that 5h7
on the D ever again--it's -7-7- or
..-0h3h5- on the A etc. But you
..can use the core
of this for the whole song and
..vary it to taste with a minor
..pentatonic scale.
When the guitar plays in harmony
..at 0:46, play the simpler
..opening riff.
(0 55)"Looking for some
..happiness but there is only
..loneliness to find..."
G ------------------------------
D -0-2-4-5-----4h5-----4-5-----5
A ---------4h5-----4h5-----4h5--
E ------------------------------
...
-|--------------------------------
-|------------4-7-----------------
-|-0h2-3-4-5----------------------
-|--------------------------------
...
-|------|
-|------|
-|------|
-|------|
(1 00)"Jump to
..the left, turn to the right..."
.. v--This slide's so
..subtle, you can
skip it
G -------------------------------
D -0-0-4-7--0--4-7---4-7--------5
A -----------------------5-4-3---
E -------------------------------
...
-|------------4/3\4-----h4--------
-|-----5--0-2--------2-2----------
-|-0-3----------------------------
-|--------------------------------
...
-|-----|
-|-----|
-|-----|
-|-----|
- (1 09)
G ------5------------------------
D --2-3---3----------------------
A ------------3-4-5-5-5--5-5--5-5
E -------------------------------
...
-|--------------------------------
-|--------------------------------
-|-5-/----------------------------
-|--------------------------------
...
-|------|
-|------|
-|------|
-|------|
During the guitar solo at 1:14,
..repeat, it and then play it
..again when the vocals
return. Again, there are
..variations, but you can use the
..above as a roadmap.
- SUONA ANCHE ..
Tablature chitarra di BAKER GEORGE Little Green Bag Skitarrate per suonare la tua musica, studiare scale, posizioni per chitarra, cercare, gestire, richiedere e inviare accordi, testi e spartiti
