----------------------------------------------------|
------------------0--------------0------------------|
-1------1h2p1--1--1-------1------1h2p1--1-----1-----|
-2------2------2--2--2-2--2------2------2--2--------|
-2------2-----------------2------2------0--0--------|
-0--0-0-0------2-----2----0--0-0-0------------------|
The above is the introduction and most of the song. Do a lot of
improvisation on the hammer ons and pull offs. The most important thing
here is to accentuate the low notes that go E F# E A (even though the
bass uses a slightly different pattern).
And I never know the reasons..........
-3-------------3--0-----0---0-------0--0--0--;---2~~~----0~~~----|
-3-------------3--0-----0---0-------0--0--0--;---4~~~----2~~~----|
-0-------0-----0--0-----1---1----1--2--2--1--;---4~~~----2~~~----|
-0---0---0--0--0--0-----2---2----2--2--2--2--;-------------------|
-2---2---2--2--2--2-----2---2----2--2--2--2--;-------------------|
-3---3---3--3--3--3-----0--------0--0--0--0--;-------------------|
Play the part before the semicolons 3x, then hit the B and A variations.
Use your wammy bar to gently tremolo these chords after the semicolon.
-----------------------------------------------|
-----------------------------------------------|
-4--4---6--6---9--9/12--12---12/13\12----------|
-----------------------------------------------|
-2--2---4--4---7--7/10--10---10/11\10----------|
-----------------------------------------------|
--------------------------------
------------------0-------------
-1------1h2p1--1--1-------1-----
-2------2------2--2--2-2--2-----
-2------2-----------------2-----
-0--0-0-0------2-----2----0--0-0
...
-|--------------------|
-|-0------------------|
-|-1h2p1--1-----1-----|
-|-2------2--2--------|
-|-2------0--0--------|
-|-0------------------|
The above is the introduction and
..most of the song. Do a lot of
improvisation on the hammer ons
..and pull offs. The most
..important thing
here is to accentuate the low
..notes that go E F# E A (even
..though the
bass uses a slightly different
..pattern).
And I never know the
..reasons..........
-3-------------3--0-----0---0-----
-3-------------3--0-----0---0-----
-0-------0-----0--0-----1---1----1
-0---0---0--0--0--0-----2---2----2
-2---2---2--2--2--2-----2---2----2
-3---3---3--3--3--3-----0--------0
...
-|--0--0--0--;---2~~~----0~~~----|
-|--0--0--0--;---4~~~----2~~~----|
-|--2--2--1--;---4~~~----2~~~----|
-|--2--2--2--;-------------------|
-|--2--2--2--;-------------------|
-|--0--0--0--;-------------------|
Play the part before the
..semicolons 3x, then hit the B
..and A variations.
Use your wammy bar to gently
..tremolo these chords after the
..semicolon.
----------------------------
----------------------------
-4--4---6--6---9--9/12--12--
----------------------------
-2--2---4--4---7--7/10--10--
----------------------------
...
-|-------------------|
-|-------------------|
-|-12/13\12----------|
-|-------------------|
-|-10/11\10----------|
-|-------------------|
Tablature chitarra di BIG HEAD TODD Poor Miss Skitarrate per suonare la tua musica, studiare scale, posizioni per chitarra, cercare, gestire, richiedere e inviare accordi, testi e spartiti