scroll
Use a capo barred at the second fret to match the pitch of this one.
Follow the transcription as you would any TAB, disregarding the fact that
you're two frets up. A pitch of "2" is played by plucking the notated string
two frets above the capo, not the nut.
SOLmaj7 REF-----0------0--0------0--|0--0----0----2-----|0------0--0------0--|0--0----0--|
C#-T--1------1--1------1--|0--1----1------3---|1------1--1------1--|0--1----1--|
A--A--2------2--2------2--|2--2----2--------2-|0------0--0------0--|0--0----0--|
E--B--3------3--3------3--|3--3----3----------|2------2--2------2--|2--2----2--|
B-------------------------|-------------------|3------3--3------3--|3--3----3--|
F-------------------------|-------------------|--------------------|-----------|
F-----0--------------------------------------------------------------------).
This is repeated a few times; when Tracy sings "then- why make
C#-T----1------------------------------------------------------------------).
your promises" the chords change between D, Bm, A, Fm, and G. Again
A--A------0----------------------------------------------------------------).
remember that the song is capoed at the second fret, so the shape of
E--B-----------------------------------------------------------------------).
the D will be a C, the Bm and Am, etc. In case it's still unclear,
B--------------------------------------------------------------------------).
here are the actual chord forms to shape:
F----------D (x32010), Bm (x02210), A (320003), F#m (022000, and G (133211-).
Change to an F#m7 (010000) when the sequence is repeated immediately
thereafter. Change between G and A on the bridge to the repeat.
Hoped to finish her stuff up here, but looks like there'll be one more
posting. I'm not going to include "Behind The Wall" as it's a cappella, but
will try to throw in the rest from her first album and what I've figured of
"All That You Have Is Your Soul".
Use a capo barred at the second
..fret to match the pitch of this
..one.
Follow the transcription as you
..would any TAB, disregarding the
..fact that
you're two frets up. A pitch of
.."2" is played by plucking the
..notated string
two frets above the capo, not the
..nut.
SOLmaj7- RE
F-----0------0--0------0--|0--0---
C#-T--1------1--1------1--|0--1---
A--A--2------2--2------2--|2--2---
E--B--3------3--3------3--|3--3---
B-------------------------|-------
F-------------------------|-------
...
-|-0----2-----|0------0--0------0-
-|-1------3---|1------1--1------1-
-|-2--------2-|0------0--0------0-
-|-3----------|2------2--2------2-
-|------------|3------3--3------3-
-|------------|-------------------
...
-|-|0--0----0--|
-|-|0--1----1--|
-|-|0--0----0--|
-|-|2--2----2--|
-|-|3--3----3--|
-|-|-----------|
F-----0--------------------------------------------------------------------).
This is repeated a few times; when
..Tracy sings "then- why make
C#-T----1------------------------------------------------------------------).
your promises" the chords change
..between D, Bm, A, Fm, and G.
..Again
A--A------0----------------------------------------------------------------).
remember that the song is capoed
..at the second fret, so the shape
..of
E--B-----------------------------------------------------------------------).
the D will be a C, the Bm and Am,
..etc. In case it's still
..unclear,
B--------------------------------------------------------------------------).
here are the actual chord forms to
..shape:
F----------D (x32010), Bm (x02210), A (320003), F#m (022000, and G (133211-).
Change to an F#m7 (010000) when
..the sequence is repeated
..immediately
thereafter. Change between G and
..A on the bridge to the repeat.
Hoped to finish her stuff up
..here, but looks like there'll be
..one more
posting. I'm not going to include
.."Behind The Wall" as it's a
..cappella, but
will try to throw in the rest from
..her first album and what I've
..figured of
"All That You Have Is Your Soul".
- SUONA ANCHE ..
Tablature chitarra di CHAPMAN TRACY If Not Now (2) Skitarrate per suonare la tua musica, studiare scale, posizioni per chitarra, cercare, gestire, richiedere e inviare accordi, testi e spartiti
