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Doggie Style Cyber Sex With Marilyn Monrobot

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Gtr I (D A D G B E) - 'Guitar'
Gtr II (D A D G B E) - 'Synth'
Gtr III (D A D G B E) - 'Synth II'
Gtr IV (D A D G B E) - 'Guitar Pan Right'

Intro
Cybergrind Q=161
RE5 /
  Gtr II
                -3-                  -3-
  S E.   Q     Q Q Q   S E.   Q     Q Q Q
|--------------------|--------------------|
|--------------------|--------------------|
|-5-5----7-----8-7-5-|-5-5----7-----8-7-5-|
|--------------------|--------------------|
|--------------------|--------------------|
|--------------------|--------------------|
| Gtr I
-3- -3-
| S S E S S E q q q S S E S S E q q q
|--------------------|--------------------|
|--------------------|--------------------|
|--------------------|--------------------|
|--------------------|--------------------|
|-0-0----0-0---0-0-0-|-0-0----0-0---0-0-0-|
|-0-0----0-0---0-0-0-|-0-0----0-0---0-0-0-|
-3- -3-
S E. Q Q Q Q S E. Q Q Q Q
|--------------------|---------------------|
|--------------------|---------------------|
|-5-5----7-----8-7-5-|-5-5----7-----8-7-5--|
|--------------------|---------------------|
|--------------------|---------------------|
|--------------------|---------------------|
-3- -3-
| S S E S S E q q q S S E S S E q q q
|--------------------|---------------------|
|--------------------|---------------------|
|--------------------|---------------------|
|--------------------|---------------------|
|-0-0----0-0---0-0-0-|-0-0----0-0---0-0-0--|
|-0-0----0-0---0-0-0-|-0-0----0-0---0-0-0--|
Yarrgh
RE5
/ -3- -3-
S E. Q Q Q Q S E. Q Q Q Q
|--------------------|--------------------|
|--------------------|--------------------|
|-5-5----7-----8-7-5-|-5-5----7-----8-7-5-|
|--------------------|--------------------|
|--------------------|--------------------|
|--------------------|--------------------|
-3- -3-
| S S E S S E q q q S S E S S E q q q
|--------------------|--------------------|
|--------------------|--------------------|
|--------------------|--------------------|
|--------------------|--------------------|
|-0-0----0-0---0-0-0-|-0-0----0-0---0-0-0-|
|-0-0----0-0---0-0-0-|-0-0----0-0---0-0-0-|
-3- -3-
S E. Q Q Q Q S E. Q Q Q Q
|--------------------|---------------------|
|--------------------|---------------------|
|-5-5----7-----8-7-5-|-5-5----7-----8-7-5--|
|--------------------|---------------------|
|--------------------|---------------------|
|--------------------|---------------------|
-3- -3-
| S S E S S E q q q S S E S S E q q q
|--------------------|---------------------|
|--------------------|---------------------|
|--------------------|---------------------|
|--------------------|---------------------|
|-0-0----0-0---0-0-0-|-0-0----0-0---0-0-0--|
|-0-0----0-0---0-0-0-|-0-0----0-0---0-0-0--|

Noise
Gtr IV
PM--------| PM--------|
W W E E E E E E E E E E E E E E E E
|----------|----------|-----------------|-----------------|
|----------|----------|-----------------|-----------------|
|----------|----------|-----------------|-----------------|
|----------|----------|-0-0-------------|-0-0-------------|
|----------|----------|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|
|----------|----------|-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-|
Sample
N.C.
Wx12
|---------|
|---------|
|---------|
|---------|
|---------|
|---------|

Raaarggh
  Q=70
  RE5
  Gtr II
e E e E e S e S e e E e E e S e S e
|-----------------------|-----------------------|
|-----------------------|-----------------------|
|-5-----7-----8---7---5-|-5-----7-----8---7---5-|
|-----------------------|-----------------------|
|-----------------------|-----------------------|
|-----------------------|-----------------------|

| Gtr I
| PM---------------------------------------------
| S S E S S E e s e s e S S E S S E e s e s e
|-----------------------|-----------------------|
|-----------------------|-----------------------|
|-----------------------|-----------------------|
|-----------------------|-----------------------|
|-0-0---0-0---0---0---0-|-0-0---0-0---0---0---0-|
|-0-0---0-0---0---0---0-|-0-0---0-0---0---0---0-|
e E e E e S e S e e E e E e S e S e
|-----------------------|-----------------------|
|-----------------------|-----------------------|
|-5-----7-----8---7---5-|-5-----7-----8---7---5-|
|-----------------------|-----------------------|
|-----------------------|-----------------------|
|-----------------------|-----------------------|
|---------------------------------------------|
| S S E S S E e s e s e S S E S S E e s e s e
|-----------------------|-----------------------|
|-----------------------|-----------------------|
|-----------------------|-----------------------|
|-----------------------|-----------------------|
|-0-0---0-0---0---0---0-|-0-0---0-0---0---0---0-|
|-0-0---0-0---0---0---0-|-0-0---0-0---0---0---0-|
Outro
RE5
Gtr III
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-|
|---------------------------------|---------------------------------|

| Gtr II
| e E e E e S e S e e E e E e S e S e
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|-5-------7-------8-----7-----5---|-5-------7-------8-----7-----5---|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|

| Gtr I
| PM-----------------------------------------------------------------
| S S E S S E e s e s e S S E S S E e s e s e
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|---------------------------------|---------------------------------|
|-0-0-----0-0-----0-----0-----0---|-0-0-----0-0-----0-----0-----0---|
|-0-0-----0-0-----0-----0-----0---|-0-0-----0-0-----0-----0-----0---|
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
|---------------------------------|------------------------------------*|
|---------------------------------|------------------------------------*|
|---------------------------------|------------------------------------*|
|---------------------------------|------------------------------------*|
|-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3----*|
|---------------------------------|------------------------------------*|
| e E e E e S e S e e E e E e S e S e
|---------------------------------|------------------------------------*|
|---------------------------------|------------------------------------*|
|-5-------7-------8-----7-----5---|-5-------7-------8-----7-----5------*|
|---------------------------------|------------------------------------*|
|---------------------------------|------------------------------------*|
|---------------------------------|------------------------------------*|

|---------------------------------------------------------------|
| S S E S S E e s e s e S S E S S E e s e s e
|---------------------------------|------------------------------------*|
|---------------------------------|------------------------------------*|
|---------------------------------|------------------------------------*|
|---------------------------------|------------------------------------*|
|-0-0-----0-0-----0-----0-----0---|-0-0-----0-0-----0-----0-----0------*|
|-0-0-----0-0-----0-----0-----0---|-0-0-----0-0-----0-----0-----0------*|

Duration Legend
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
Tablature Legend
h   - hammer-on
p   - pull-off
b   - bend
pb  - pre-bend
r   - bend release (if no number after the r, then release immediately)
/\  - slide into or out of (from/to "nowhere")
s   - legato slide
S   - shift slide
  - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr  - trill
T   - tap
TP  - trem. picking
PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
\n  - tremolo bar down
n/  - tremolo bar up
/n\  - tremolo bar inverted dip
=   - hold bend; also acts as connecting device for hammers/pulls
<>  - volume swell (louder/softer)
x   - on rhythm slash represents muted slash
o   - on rhythm slash represents single note slash
Misc Legend
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$  - Segno
&  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths
Gtr I (D A D G B E) - 'Guitar'
Gtr II (D A D G B E) - 'Synth'
Gtr III (D A D G B E) - 'Synth II'
Gtr IV (D A D G B E) - 'Guitar Pan
..Right'
Intro
Cybergrind Q=161
RE5
/
Gtr II
-3-
S E. Q Q Q Q S E. Q
-3-
.. Q Q Q
|--------------------|------------
|--------------------|------------
|-5-5----7-----8-7-5-|-5-5----7---
|--------------------|------------
|--------------------|------------
|--------------------|------------
...
-|--------|
-|--------|
-|--8-7-5-|
-|--------|
-|--------|
-|--------|

| Gtr I
                -3-
| S S  E S S E q q q   S S  E S S
     -3-
..E q q q
|--------------------|------------
|--------------------|------------
|--------------------|------------
|--------------------|------------
|-0-0----0-0---0-0-0-|-0-0----0-0-
|-0-0----0-0---0-0-0-|-0-0----0-0-
...
-|--------|
-|--------|
-|--------|
-|--------|
-|--0-0-0-|
-|--0-0-0-|
-3-
S E. Q Q Q Q S E. Q
-3-
.. Q Q Q
|--------------------|------------
|--------------------|------------
|-5-5----7-----8-7-5-|-5-5----7---
|--------------------|------------
|--------------------|------------
|--------------------|------------
...
-|---------|
-|---------|
-|--8-7-5--|
-|---------|
-|---------|
-|---------|
-3-
| S S E S S E q q q S S E S S
-3-
..E q q q
|--------------------|------------
|--------------------|------------
|--------------------|------------
|--------------------|------------
|-0-0----0-0---0-0-0-|-0-0----0-0-
|-0-0----0-0---0-0-0-|-0-0----0-0-
...
-|---------|
-|---------|
-|---------|
-|---------|
-|--0-0-0--|
-|--0-0-0--|
Yarrgh
RE5 / -3-
S E. Q Q Q Q S E. Q
-3-
.. Q Q Q
|--------------------|------------
|--------------------|------------
|-5-5----7-----8-7-5-|-5-5----7---
|--------------------|------------
|--------------------|------------
|--------------------|------------
...
-|--------|
-|--------|
-|--8-7-5-|
-|--------|
-|--------|
-|--------|
-3-
| S S E S S E q q q S S E S S
-3-
..E q q q
|--------------------|------------
|--------------------|------------
|--------------------|------------
|--------------------|------------
|-0-0----0-0---0-0-0-|-0-0----0-0-
|-0-0----0-0---0-0-0-|-0-0----0-0-
...
-|--------|
-|--------|
-|--------|
-|--------|
-|--0-0-0-|
-|--0-0-0-|
                -3-
  S E.   Q     Q Q Q   S E.   Q
    -3-
.. Q Q Q
|--------------------|------------
|--------------------|------------
|-5-5----7-----8-7-5-|-5-5----7---
|--------------------|------------
|--------------------|------------
|--------------------|------------
...
-|---------|
-|---------|
-|--8-7-5--|
-|---------|
-|---------|
-|---------|
                -3-
| S S  E S S E q q q   S S  E S S
     -3-
..E q q q
|--------------------|------------
|--------------------|------------
|--------------------|------------
|--------------------|------------
|-0-0----0-0---0-0-0-|-0-0----0-0-
|-0-0----0-0---0-0-0-|-0-0----0-0-
...
-|---------|
-|---------|
-|---------|
-|---------|
-|--0-0-0--|
-|--0-0-0--|
Noise
Gtr IV
PM--------| PM--------|
W W E E E E E
..E E E E E E E E E E E
|----------|----------|----------
|----------|----------|----------
|----------|----------|----------
|----------|----------|-0-0------
|----------|----------|-0-0-0-0-0
|----------|----------|-0-0-0-0-0
...
-|-------|-----------------|
-|-------|-----------------|
-|-------|-----------------|
-|-------|-0-0-------------|
-|-0-0-0-|-0-0-0-0-0-0-0-0-|
-|-0-0-0-|-0-0-0-0-0-0-0-0-|
Sample
N.C.
Wx12
|---------|
|---------|
|---------|
|---------|
|---------|
|---------|

Raaarggh
  Q=70
  RE5
  Gtr II
e E e E e S e S e e E e
.. E e S e S e
|-----------------------|---------
|-----------------------|---------
|-5-----7-----8---7---5-|-5-----7-
|-----------------------|---------
|-----------------------|---------
|-----------------------|---------
...
-|--------------|
-|--------------|
-|----8---7---5-|
-|--------------|
-|--------------|
-|--------------|
| Gtr I
| PM---------------------------------------------
| S S E S S E e s e s e S S E S
..S E e s e s e
|-----------------------|--------
|-----------------------|--------
|-----------------------|--------
|-----------------------|--------
|-0-0---0-0---0---0---0-|-0-0---0
|-0-0---0-0---0---0---0-|-0-0---0
...
-|---------------|
-|---------------|
-|---------------|
-|---------------|
-|-0---0---0---0-|
-|-0---0---0---0-|
e E e E e S e S e e E e
.. E e S e S e
|-----------------------|---------
|-----------------------|---------
|-5-----7-----8---7---5-|-5-----7-
|-----------------------|---------
|-----------------------|---------
|-----------------------|---------
...
-|--------------|
-|--------------|
-|----8---7---5-|
-|--------------|
-|--------------|
-|--------------|
|---------------------------------------------|
| S S E S S E e s e s e S S E S
..S E e s e s e
|-----------------------|--------
|-----------------------|--------
|-----------------------|--------
|-----------------------|--------
|-0-0---0-0---0---0---0-|-0-0---0
|-0-0---0-0---0---0---0-|-0-0---0
...
-|---------------|
-|---------------|
-|---------------|
-|---------------|
-|-0---0---0---0-|
-|-0---0---0---0-|

Outro
  RE5
  Gtr III
  S S S S S S S S S S S S S S S S
.. S S S S S S S S S S S S S S S S
|--------------------------------
|--------------------------------
|--------------------------------
|--------------------------------
|-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3
|--------------------------------
...
-|-|------------------------------
-|-|------------------------------
-|-|------------------------------
-|-|------------------------------
-|-|-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3
-|-|------------------------------
...
-|---|
-|---|
-|---|
-|---|
-|-3-|
-|---|
| Gtr II
| e E e E e S e S e
.. e E e E e S e S e
|--------------------------------
|--------------------------------
|-5-------7-------8-----7-----5--
|--------------------------------
|--------------------------------
|--------------------------------
...
-|-|------------------------------
-|-|------------------------------
-|-|-5-------7-------8-----7-----5
-|-|------------------------------
-|-|------------------------------
-|-|------------------------------
...
-|---|
-|---|
-|---|
-|---|
-|---|
-|---|
| Gtr I
| PM-----------------------------------------------------------------
| S S E S S E e s e s e
.. S S E S S E e s e s e
|--------------------------------
|--------------------------------
|--------------------------------
|--------------------------------
|-0-0-----0-0-----0-----0-----0--
|-0-0-----0-0-----0-----0-----0--
...
-|-|------------------------------
-|-|------------------------------
-|-|------------------------------
-|-|------------------------------
-|-|-0-0-----0-0-----0-----0-----0
-|-|-0-0-----0-0-----0-----0-----0
...
-|---|
-|---|
-|---|
-|---|
-|---|
-|---|
S S S S S S S S S S S S S S S S
.. S S S S S S S S S S S S S S S S
|--------------------------------
|--------------------------------
|--------------------------------
|--------------------------------
|-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3
|--------------------------------
...
-|-|------------------------------
-|-|------------------------------
-|-|------------------------------
-|-|------------------------------
-|-|-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3
-|-|------------------------------
...
-|------*|
-|------*|
-|------*|
-|------*|
-|-3----*|
-|------*|

| e E e E e S e S e
.. e E e E e S e S e
|--------------------------------
|--------------------------------
|-5-------7-------8-----7-----5--
|--------------------------------
|--------------------------------
|--------------------------------
...
-|-|------------------------------
-|-|------------------------------
-|-|-5-------7-------8-----7-----5
-|-|------------------------------
-|-|------------------------------
-|-|------------------------------
...
-|------*|
-|------*|
-|------*|
-|------*|
-|------*|
-|------*|
|---------------------------------------------------------------|
| S S E S S E e s e s e
.. S S E S S E e s e s e
|--------------------------------
|--------------------------------
|--------------------------------
|--------------------------------
|-0-0-----0-0-----0-----0-----0--
|-0-0-----0-0-----0-----0-----0--
...
-|-|------------------------------
-|-|------------------------------
-|-|------------------------------
-|-|------------------------------
-|-|-0-0-----0-0-----0-----0-----0
-|-|-0-0-----0-0-----0-----0-----0
...
-|------*|
-|------*|
-|------*|
-|------*|
-|------*|
-|------*|
Duration Legend
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . -
..note dotted; .. - note double
..dotted
Uncapitalized letters represent
..notes that are staccato (1/2
..duration)
Irregular groupings are notated
..above the duration line
Duration letters will always
..appear directly above the
..note/fret number it represents
..the
duration for. Duration letters
..with no fret number below them
..represent rests. Multi-
bar rests are notated in the form
..Wxn, where n is the number of
..bars to rest for. Low
melody durations appear below the
..staff
Tablature Legend
h   - hammer-on
p   - pull-off
b   - bend
pb - pre-bend
r - bend release (if no number
..after the r, then release
..immediately)
/\ - slide into or out of
..(from/to "nowhere")
s   - legato slide
S   - shift slide
  - natural harmonic
[n] - artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr  - trill
T   - tap
TP  - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount
..to dip
\n  - tremolo bar down
n/  - tremolo bar up
/n\  - tremolo bar inverted dip
= - hold bend; also acts as
..connecting device for
..hammers/pulls
<> - volume swell
..(louder/softer)
x - on rhythm slash represents
..muted slash
o - on rhythm slash represents
..single note slash
Misc Legend
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$  - Segno
&  - Coda
Tempo markers -  =
..BPM(8/16=s8/s16), where s8 =
..swing 8ths, s16 = swing 16ths
SUONA ANCHE ..

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