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Long Dead Gone

suonato 538 volte

WESLEY HARDING JOHN

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Key: A major

LA FA#m LA FA#m
LA FA#m
It's so easy to forgo
LA FA#m
It's so hard to forget
LA FA#m
It's so hard for to realize
RE SIm MI
That I'm not dead yet
LA FA#m
When everything that we wanted
LA RE
Is beyond beyond
SIm MI
And all that I hoped for is
RE LA MI
Long dead gone - alright
LA FA#m
So how can I sleep
LA FA#m
In this memory bed
LA FA#m
When I feel like a grave
RE SIm MI
With a tomb for a bed head
     LA                       FA#m
With your name and my  name
     LA                         RE
Carved deep in the stone
SIm MI
Now faded away 'cause we're
RE LA
Long dead gone
MI
Well we're long dead gone
DO# DO#7 FA#m MI
We're long dead gone - yeah
LA MI FA#m RE MI
Now faded away because we're
RE LA MI LA
Lo-ong dead gone

MI FA#m RE MI RE LA MI
LA FA#m
Love lies bewildered
LA FA#m
Checking its pulse
LA FA#m
To see if it compares
RE SIm MI
To anything else
LA FA#m
And two things still beating
LA RE
Never as one
SIm MI
And one thing lies choking 'cause it's
RE LA
Long dead gone
MI
Well it's long dead gone
DO# DO#7 FA#m MI
It's long dead gone - yeah
LA MI FA#m RE MI
One thing lies choking 'cause it's
RE LA MI LA
Lo-ong dead gone
RE
So here rests in pieces
LA MI
Whatever it was
FA#m RE
That we could admit to
F#major Bm
Whatever it was
MI
That was me and you

What was me and you
What was me and you - yeah
LA FA#m LA FA#m LA FA#m RE SIm MI

LA FA#m
So why won't I just
LA FA#m
Let it die and get rid
LA FA#m
Of the truth that we would both
RE SIm MI
Would've rather kept hid
LA FA#m
Better to live a lie
LA RE
Than pretend that you're not
SIm MI
And live out a love which is
RE LA
Long dead gone
MI
Well we're long dead gone - yeah
DO# DO#7 FA#m MI
Well we're long dead gone - yeah
LA MI FA#m RE MI
Don't live out a love which is - yeah
RE LA MI LA MI
Lo-ong dead gone
FA#m RE MI
Never live out a love which is
RE LA MI LA MI
Lo-ong dead gone
FA#m RE MI
Never live out a love which is
RE LA MI LA MI FA#m RE MI RE LA MI
Lo-ong dead gone - yeah

LA MI FA#m RE MI RE
LA MI FA#m RE MI RE LA
Chords
As this version doesn't specify which chord fingerings should be
used, I haven't included a chord chart. If you want to know the
fingerings, see the other posting of this song with specified
chords. N.B. F#major is not written as F# purely to make it
clear that it isn't F#m.
Notes
1. Learn the song by playing along to the album track.
2. Feel free to use different versions of the same chord or slighlty
different varieties of the same one to colour your music. For
example, I use a Dsus2 to link the D and Bm chords in the 4th line
of the 1st, 2nd, 3rd and 5th sections.
3. If you don't want to use these linking chords (such as the Dsus2's
all through this CRD, you needn't).
4. If you're new to barre chords, and would rather stick to open ones
you could transpose the tune to the key of G major, which involves
shifting all chords done by a tone:
This version: Transposed to G major:
LA SOL FA#m MIm
RE DO SIm LAm
C# & C#7 B7 should be okay
F#major Emajor (just plain E)
If you want to do this and have a capo, putting it on the 2nd fret
will get you in tune with the album track.
6. A big thankyou (THANKYOU) to Alan Pulliam for supplying the lyrics
to Long Dead Gone and Backing Out. They made my job a lot easier.
Key: A major
LA FA#m LA FA#m

LA FA#m
It's so easy to forgo
LA FA#m
It's so hard to forget
LA FA#m
It's so hard for to realize
RE SIm MI
That I'm not dead yet
LA FA#m
When everything that we wanted
LA RE
Is beyond beyond
SIm MI
And all that I hoped for is
RE LA MI
Long dead gone - alright
LA FA#m
So how can I sleep
LA FA#m
In this memory bed
LA FA#m
When I feel like a grave
RE SIm MI
With a tomb for a bed head
LA FA#m
With your name and my name
LA RE
Carved deep in the stone
SIm MI
Now faded away 'cause we're
RE LA
Long dead gone
                 RE       REsus2 MI MI
Well we're long dead  gone
                  DO#  DO#7 FA#m   MI
Well we're long dead gone - yeah
LA MI FA#m RE REsus2 MI
Now faded away because we're
RE LA MI LA
Lo-ong dead gone
MI FA#m RE MI RE LA MI

LA FA#m
Love lies bewildered
LA FA#m
Checking its pulse
LA FA#m
To see if it compares
RE SIm MI
To anything else
LA FA#m
And two things still beating
LA RE
But never as one
SIm MI
And one thing lies choking 'cause it's
RE LA
Long dead gone
                RE   REsus2 MI MI
Well it's long dead  gone
                 DO#  DO#7 FA#m   MI
Well it's long dead gone - yeah
LA MI FA#m RE REsus2 MI
One thing lies choking 'cause it's
RE LA MI LA
Lo-ong dead gone
RE
So here rests in pieces
LA MI
Whatever it was
FA#m RE
That we could admit to
F#major Bm
Whatever it was
MI
That was me and you
What was me and you

What was me and you - yeah
LA FA#m LA FA#m LA FA#m RE SIm MI
LA FA#m
So why won't I just
LA FA#m
Let it die and get rid
LA FA#m
Of the truth that we would both
RE SIm MI
Would've rather kept hid
LA FA#m
Better to live a lie
LA RE
Than pretend that you're not
SIm MI
And live out a love which is
RE LA
Long dead gone
RE REsus2 MI MI
Well we're long dead gone - yeah
DO# DO#7 FA#m MI
Well we're long dead gone - yeah
LA MI FA#m RE REsus2 MI
Don't live out a love which is - yeah
REsus2 LA MI LA MI
Lo-o-o-ong dead gone
   FA#m             RE   REsus2 MI
Never live out a  love which is
       RE LA MI LA         MI
Lo-ong  dead gone
   FA#m             RE   REsus2 MI
Never live out a  love which is
RE LA MI LA MI FA#m RE MI RE LA MI
Lo-ong dead gone - yeah
LA MI FA#m RE MI RE LA MI FA#m RE MI RE LA
Chords corresponding to the above notation

A major chord: A
e||---|---|---|---|-1-|---|---- & A This is the A-chord fingering used for
B||---|---|---|---|-1-|---|---- & E most of Long Dead Gone (where A is used
G||---|---|---|---|-1-|-2-|---- & C# rather than A). It uses the root-E
D||---|---|---|---|-1-|---|-4-- & A shape with a barre on the 5th fret.
A||---|---|---|---|-1-|---|-3-- & E The fingers are numbered as follows:
E||---|---|---|---|-1-|---|---- & A 1 = index, 2 = middle, 3 = ring,
4 = little finger.
F# minor chord: F#m B minor chord: Bm

e||---|-1-|---|---| F# These chords are both e||---|-1-|---|----- & F#
B||---|-1-|---|---| C# played with a barre on B||---|-1-|-2-|----- & D
G||---|-1-|---|---| A the second fret, and G||---|-1-|---|-4---- & B
D||---|-1-|---|-4-| F# use root E minor shape D||---|-1-|---|-3-- & F#
A||---|-1-|---|-3-| C# and root A minor shape A||---|-1-|---|----- & B
E||---|-1-|---|---| F# respectively. E||---|-1-|---|------ & F#
D major chord: D which is interchangeable with: D major chord (open): D
since treble note is the same
e||---|-1-|---|---|---| F# e||---|-2-|---------------------- & F# In this
B||---|-1-|-2-|---|---| D B||---|---|-3-------------------- & D version of
G||---|-1-|---|---|---| A E major chord: E
e||---|---|---| E The chord e||---|---|---|-1-|---|---|----- & G#
B||---|---|---| B on the B||---|---|---|-1-|-2-|---|---- & E
G||-1-|---|---| G# right is G||---|---|---|-1-|---|---|---- & B
D||---|-3-|---| E open C D||---|---|---|-1-|---|-3-|---- & G#
A||---|-2-|---| B major on A||---|---|---|-1-|---|---|-4-- & E
E||---|---|---| E the 4th E||---|---|---|-1-|---|---|---- & G#
fret.
C# major chord: C# C# major 7th chord: C#7

e||---|---|---|-1-|---|---| G# A major e||---|---|---|-1-|---|---- & G#
B||---|---|---|-1-|---|-4-| E# & A 7th B||---|---|---|-1-|---|-4-- & E#
G||---|---|---|-1-|---|-3-| C# barred G||---|---|---|-1-|---|---- & B natural
D||---|---|---|-1-|---|-2-| G# on 4th D||---|---|---|-1-|---|-2-- & G#
A||---|---|---|-1-|---|---| C# fret. A||---|---|---|-1-|---|---- & C#
E||---|---|---|-1-|---|---| G# E||---|---|---|-1-|---|-------- & G#
F# major chord: F#maj (denoted as F#maj instead of F# to highlight the change
from F#m (F# minor) which is used throughout the song)
e||---|-1-|---|---| F# This is the open
B||---|-1-|---|---| C# E major chord shape
G||---|-1-|-2-|---| A# barred on the second
D||---|-1-|---|-4-| F# fret.
A||---|-1-|---|-3-| C#
E||---|-1-|---|---| F#
A major chord (open): A D major suspended 2nd: Dsus2
e||---|---|---| E The normal open e||---|---|---- & E This is just the
B||---|-3-|---| C# A major chord B||---|---|-3-- & D open D chord with
G||---|-2-|---| A used in the end G||---|-2-|---- & A the treble-E open
D||---|-1-|---| E section of the D||---|---|---- & D The bass-E string
A||---|---|---| A song. A||---|---|---------- & A can be unplayed
E||---|---|---| E E||---|-x-|-------------- &(F#) or the thumb be
used as in D, or
in this case only
can be left open.
Notes
1. Learn the song by playing along to the album track.
2. Feel free to use different versions of the same chord or slighlty
different varieties of the same one to colour your music. For
example, I use a Dsus2 to link the D and Bm chords in the 4th line
of the 1st, 2nd, 3rd and 5th sections.
3. If you don't want to use these linking chords (such as the Dsus2's
all through this CRD, you needn't).
     4. Don't worry too much about whether you  use  the  open  or  barred
versions of the various chords.  I think these are the  ones  used
on the twangy guitar in the  song  (right-hand speaker in stereo),
but the difference between one and another is only slight, and you
may find it easier to play a certain sequence.
5. If you're new to barre chords, and would rather stick to open ones
you could transpose the tune to the key of G major, which involves
shifting all chords done by a tone:
This version: Transposed to G major:
LA SOL FA#m MIm
RE DO SIm LAm
Dsus2 forget it, just play C
C# & C#7 B7 should be okay
F#major Emajor (just plain E)
If you want to do this and have a capo, putting it on the 2nd fret
will get you in tune with the album track.

6. A big thankyou (THANKYOU) to Alan Pulliam for supplying the lyrics
to Long Dead Gone and Backing Out. They made my job a lot easier.
Key: A major

LA FA#m LA FA#m
LA FA#m
It's so easy to forgo
LA FA#m
It's so hard to forget
LA FA#m
It's so hard for to realize
RE SIm MI
That I'm not dead yet
LA FA#m
When everything that we wanted
LA RE
Is beyond beyond
SIm MI
And all that I hoped for is
RE LA MI
Long dead gone - alright
LA FA#m
So how can I sleep
LA FA#m
In this memory bed
LA FA#m
When I feel like a grave
RE SIm MI
With a tomb for a bed head
     LA                       FA#m
With your name and my  name
     LA                         RE
Carved deep in the stone
SIm MI
Now faded away 'cause we're
RE LA
Long dead gone
MI
Well we're long dead gone
DO# DO#7 FA#m MI
We're long dead gone - yeah
LA MI FA#m RE MI
Now faded away because we're
RE LA MI LA
Lo-ong dead gone

MI FA#m RE MI RE LA MI
LA FA#m
Love lies bewildered
LA FA#m
Checking its pulse
LA FA#m
To see if it compares
RE SIm MI
To anything else
LA FA#m
And two things still beating
LA RE
Never as one
SIm MI
And one thing lies choking 'cause
..it's
RE LA
Long dead gone
MI
Well it's long dead gone
DO# DO#7 FA#m MI
It's long dead gone - yeah
LA MI FA#m
One thing lies choking 'cause
RE                 MI
..   it's
      RE  LA  MI   LA
Lo-ong dead gone
RE
So here rests in pieces
LA MI
Whatever it was
FA#m RE
That we could admit to
F#major Bm
Whatever it was
MI
That was me and you

What was me and you
What was me and you - yeah
LA FA#m LA FA#m LA FA#m RE SIm MI
LA FA#m
So why won't I just
LA FA#m
Let it die and get rid
LA FA#m
Of the truth that we would both
RE SIm MI
Would've rather kept hid
LA FA#m
Better to live a lie
LA RE
Than pretend that you're not
SIm MI
And live out a love which is
RE LA
Long dead gone
MI
Well we're long dead gone - yeah
DO# DO#7 FA#m MI
Well we're long dead gone - yeah
LA MI FA#m RE
Don't live out a love which is -
MI
..yeah
RE LA MI LA MI
Lo-ong dead gone
FA#m RE MI
Never live out a love which is
RE LA MI LA MI
Lo-ong dead gone
FA#m RE MI
Never live out a love which is
RE LA MI LA MI FA#m RE
Lo-ong dead gone - yeah
MI RE LA MI
LA MI FA#m RE MI RE
LA MI FA#m RE MI RE LA

Chords
As this version doesn't specify
..which chord fingerings should be
used, I haven't included a chord
..chart. If you want to know the
fingerings, see the other posting
..of this song with specified
chords. N.B. F#major is not
..written as F# purely to make
..it
clear that it isn't F#m.

Notes
1. Learn the song by playing
..along to the album track.
2. Feel free to use different
..versions of the same chord or
..slighlty
different varieties of the same
..one to colour your music.
..For
example, I use a Dsus2 to link
..the D and Bm chords in the 4th
..line
of the 1st, 2nd, 3rd and 5th
..sections.
3. If you don't want to use
..these linking chords (such as
..the Dsus2's
all through this CRD, you
..needn't).
4. If you're new to barre
..chords, and would rather stick
..to open ones
you could transpose the tune to
..the key of G major, which
..involves
shifting all chords done by a
..tone:
This version: Transposed to
..G major:
LA SOL FA#m MIm
RE DO SIm LAm
C# & C#7 B7 should be okay
F#major Emajor (just plain E)
If you want to do this and have a
..capo, putting it on the 2nd fret
will get you in tune with the
..album track.
6. A big thankyou (THANKYOU)
..to Alan Pulliam for supplying
..the lyrics
to Long Dead Gone and Backing
..Out. They made my job a lot
..easier.
Key: A major
LA FA#m LA FA#m

LA FA#m
It's so easy to forgo
LA FA#m
It's so hard to forget
LA FA#m
It's so hard for to realize
RE SIm MI
That I'm not dead yet
LA FA#m
When everything that we wanted
LA RE
Is beyond beyond
SIm MI
And all that I hoped for is
RE LA MI
Long dead gone - alright
LA FA#m
So how can I sleep
LA FA#m
In this memory bed
LA FA#m
When I feel like a grave
RE SIm MI
With a tomb for a bed head
LA FA#m
With your name and my name
LA RE
Carved deep in the stone
SIm MI
Now faded away 'cause we're
RE LA
Long dead gone
                 RE       REsus2 MI MI
Well we're long dead  gone
                  DO#  DO#7 FA#m   MI
Well we're long dead gone - yeah
LA MI FA#m RE REsus2
Now faded away because we're
MI

RE LA MI LA
Lo-ong dead gone

MI FA#m RE MI RE LA MI
LA FA#m
Love lies bewildered
LA FA#m
Checking its pulse
LA FA#m
To see if it compares
RE SIm MI
To anything else
LA FA#m
And two things still beating
LA RE
But never as one
SIm MI
And one thing lies choking 'cause
..it's
RE LA
Long dead gone
                RE   REsus2 MI MI
Well it's long dead  gone
                 DO#  DO#7 FA#m   MI
Well it's long dead gone - yeah
LA MI FA#m
One thing lies choking 'cause
RE       REsus2          MI
..   it's
      RE  LA  MI   LA
Lo-ong dead gone
RE
So here rests in pieces
LA MI
Whatever it was
FA#m RE
That we could admit to
F#major Bm
Whatever it was
MI
That was me and you

What was me and you
What was me and you - yeah
LA FA#m LA FA#m LA FA#m RE SIm MI
LA FA#m
So why won't I just
LA FA#m
Let it die and get rid
LA FA#m
Of the truth that we would both
RE SIm MI
Would've rather kept hid
LA FA#m
Better to live a lie
LA RE
Than pretend that you're not
SIm MI
And live out a love which is
RE LA
Long dead gone
RE REsus2 MI MI
Well we're long dead gone - yeah
DO# DO#7 FA#m MI
Well we're long dead gone - yeah
LA MI FA#m RE
Don't live out a love which is -
REsus2 MI
.. yeah
       REsus2 LA MI LA MI
Lo-o-o-ong  dead gone
   FA#m             RE   REsus2 MI
Never live out a  love which is
       RE LA MI LA         MI
Lo-ong  dead gone
   FA#m             RE   REsus2 MI
Never live out a  love which is
       RE LA MI           LA   MI  FA#m  RE  MI
Lo-ong dead gone - yeah
RE LA MI
LA MI FA#m RE MI RE LA MI FA#m RE MI RE LA
Chords corresponding to the above
..notation
A major chord: A
e||---|---|---|---|-1-|---|---
B||---|---|---|---|-1-|---|---
G||---|---|---|---|-1-|-2-|---
D||---|---|---|---|-1-|---|-4-
A||---|---|---|---|-1-|---|-3-
E||---|---|---|---|-1-|---|---
...
-|- & A This is the A-chord fingering used for
-|- & E most of Long Dead Gone (where A is used
-|- & C# rather than A). It uses the root-E
-|- & A shape with a barre on the 5th fret.
-|- & E The fingers are numbered as follows:
-|- & A 1 = index, 2 = middle, 3 = ring,
4 = little finger.
F# minor chord: F#m B
..minor chord: Bm
e||---|-1-|---|--
B||---|-1-|---|--
G||---|-1-|---|--
D||---|-1-|---|-4
A||---|-1-|---|-3
E||---|-1-|---|--
...
-|-| F# These chords are both e||---|-1-|---|----- & F#
-|-| C# played with a barre on B||---|-1-|-2-|----- & D
-|-| A the second fret, and G||---|-1-|---|-4---- & B
-|-| F# use root E minor shape D||---|-1-|---|-3-- & F#
-|-| C# and root A minor shape A||---|-1-|---|----- & B
-|-| F# respectively. E||---|-1-|---|------ & F#
D major chord: D which is
..interchangeable with: D major
..chord (open): D
since treble note is the same
e||---|-1-|---|---|---| F# e||---|-2-|---------------------- & F# In this
B||---|-1-|-2-|---|---| D B||---|---|-3-------------------- & D version of
G||---|-1-|---|---|---| A E major chord: E

e||---|---|--
B||---|---|--
G||-1-|---|--
D||---|-3-|--
A||---|-2-|--
E||---|---|--
...
-|-| E The chord e||---|---|-
-|-| B on the B||---|---|-
-|-| G# right is G||---|---|-
-|-| E open C D||---|---|-
-|-| B major on A||---|---|-
-|-| E the 4th E||---|---|-
...
-|--|-1-|---|---|----- & G#
-|--|-1-|-2-|---|---- & E
-|--|-1-|---|---|---- & B
-|--|-1-|---|-3-|---- & G#
-|--|-1-|---|---|-4-- & E
-|--|-1-|---|---|---- & G#
fret.
C# major chord: C# C# major
..7th chord: C#7
e||---|---|---|-1-|---|--
B||---|---|---|-1-|---|-4
G||---|---|---|-1-|---|-3
D||---|---|---|-1-|---|-2
A||---|---|---|-1-|---|--
E||---|---|---|-1-|---|--
...
-|-| G# A major e||---|---|--
-|-| E# & A 7th B||---|---|--
-|-| C# barred G||---|---|--
-|-| G# on 4th D||---|---|--
-|-| C# fret. A||---|---|--
-|-| G# E||---|---|---|-1
...
-|-|-1-|---|---- & G#
-|-|-1-|---|-4-- & E#
-|-|-1-|---|---- & B natural
-|-|-1-|---|-2-- & G#
-|-|-1-|---|---- & C#
-|-|---|-------- & G#
F# major chord: F#maj (denoted as
..F#maj instead of F# to highlight
..the change
from F#m (F# minor) which is
..used throughout the song)
e||---|-1-|---|--
B||---|-1-|---|--
G||---|-1-|-2-|--
D||---|-1-|---|-4
A||---|-1-|---|-3
E||---|-1-|---|--
...
-|-| F# This is the open
-|-| C# E major chord shape
-|-| A# barred on the second
-|-| F# fret.
-|-| C#
-|-| F#
A major chord (open): A D major
..suspended 2nd: Dsus2
e||---|---|--
B||---|-3-|--
G||---|-2-|--
D||---|-1-|--
A||---|---|--
E||---|---|--
...
-|-| E The normal open e||--
-|-| C# A major chord B||--
-|-| A used in the end G||--
-|-| E section of the D||--
-|-| A song. A||---|---|
-|-| E E||---|-x-|----
...
-|-|---|---
-|-|---|-3-
-|-|-2-|---
-|-|---|---
-|---------
-|---------
...
-|- & E This is just the
-|- & D open D chord with
-|- & A the treble-E open
-|- & D The bass-E string
-|- & A can be unplayed
-|- &(F#) or the thumb be
    used as in D,  or
    in this case only
    can be left open.
Notes
1. Learn the song by playing
..along to the album track.
2. Feel free to use different
..versions of the same chord or
..slighlty
different varieties of the same
..one to colour your music.
..For
example, I use a Dsus2 to link
..the D and Bm chords in the 4th
..line
of the 1st, 2nd, 3rd and 5th
..sections.
3. If you don't want to use
..these linking chords (such as
..the Dsus2's
all through this CRD, you
..needn't).
4. Don't worry too much about
..whether you use the open or
..barred
versions of the various chords.
..I think these are the ones
..used
on the twangy guitar in the song
.. (right-hand speaker in stereo),
but the difference between one
..and another is only slight, and
..you
may find it easier to play a
..certain sequence.
5. If you're new to barre
..chords, and would rather stick
..to open ones
you could transpose the tune to
..the key of G major, which
..involves
shifting all chords done by a
..tone:
This version: Transposed to
..G major:
LA SOL FA#m MIm
RE DO SIm LAm
Dsus2 forget it, just play C
C# & C#7 B7 should be okay
F#major Emajor (just plain E)
If you want to do this and have a
..capo, putting it on the 2nd fret
will get you in tune with the
..album track.
6. A big thankyou (THANKYOU)
..to Alan Pulliam for supplying
..the lyrics
to Long Dead Gone and Backing
..Out. They made my job a lot
..easier.
SUONA ANCHE ..

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