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VERSE:
-E-E-E-E|-E-E-E-B|-B-B-B-B|-B-B-B-B
-B-B-B-B|-B-B-B-E|-E-E-E-E|-E-E-E-E
-E-E-E-E|-E-E-E-A|-A-F#-F#-B|-B-B-B-E
-E-B-BBB
CHORUS
EE-E-E-A|-A-A-A-B|-B-B-B-E|-E-E-BBB
-E-E-E-A|-A-A-A-B|-BBB-C#mC#mC#m|-D=B0D=B0D=B0-B/D# B/D# B/D# ***see note #1
-E-E-E-B|-B-B6-B7-(E)
Notes:
1) The best way I could find to play the rise starting at bar 6 of the
chorus would be to play a chord with the first finger on the 4th fret of
the 5th string, deaden the 4th string, 3rd finger on the 6th fret of the
3rd string, and 2nd finger on the 5th fret of the 2nd string-use this for
the C#mi, then slide it up a fret for the D=B0, and slide it up another fret
for the B- ANY OTHER IDEAS?? The bass riff here is definitely B C# D D# E
2) The following figure "-BBB" means that the guitar does a variation on
the ska rhythm and hits a down beat.
3) The B-B6-B7 thing at the end of the chorus can be done with a 7th fret
bar and adding the pinkie on the 9th and then the 10th frets.
4) Although the guitar plays regular bar chords for the most part, the
*actual* harmony of this song is much more complex, owing the the intricate
arpeggiated bassline.ESPECIALLY at bar 10 of the verse! The bass goes A C#
C# F#|D# B G# F#|E. the A and C# are for the A chord and the C# and F# are
for the F# chord and the D# and B are for the B chord, but about that G#
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